The Merchant of Venice
dir. Robert Cuccioli
Shakespeare Theatre of NJ
dir. Robert Cuccioli
Shakespeare Theatre of NJ
"And then there’s Portia and Melissa Miller. This lovely talented young lady not only handles the verse as if it were her native tongue, she uses it to build a character and a performance that is direct, genuine, spontaneous and witty - and lives both in Shakespeare’s world and today’s. With her performance, The Merchant of Venice goes from that play about Shylock to this play about Portia."
The Record, Thomas Molyneaux
Melissa Miller is untypically delightful as Portia, the very rich and very smart lady who not only figures out how to catch the husband of her choice but also how to give an effective speech. She looks smart as the learnedlawyer and gives it a persuasive and unpretentious ring of honesty to Portia's famous quality of mercy speech.
Curtain Up, Simon Saltzman
The Record, Thomas Molyneaux
Melissa Miller is untypically delightful as Portia, the very rich and very smart lady who not only figures out how to catch the husband of her choice but also how to give an effective speech. She looks smart as the learnedlawyer and gives it a persuasive and unpretentious ring of honesty to Portia's famous quality of mercy speech.
Curtain Up, Simon Saltzman
"Throughout the play, Miller's Portia is strong and poised; the actress effectively balances the demands on Portia to be deferential to her suiters while also retaining her agency. Miller shows clearly that Portia is always the smartest and most socially nimble person in any room she occupies, even if she is restrained in her decisions by her father's will."
The Star Ledger, Patrick Maley
The Star Ledger, Patrick Maley
Fallen Angels
by Noel Coward
dir. Matthew Arbour
Shakespeare Theatre of NJ
"The Shakespeare Theatre of New Jersey has filled the bill with a top-flight revival of "Fallen Angels"...The women- are so good that you may fail to notice the men..."
Wall Street Journal, Terry Teachout
"...it is a singular treat to see this tale of two naughty wives...The cast of six...are in excellent form....
The New York Times, Anita Gates
"Actresses Julie Jesneck, in her stunning Company debut, and a magnificent Melissa Miller play the sympathetically neurotic wives with impeccable comedic timing."
Examiner, Richard Carter
"The director...has created a flawless production. The cast is spot-on...pure Coward perfection...the women brilliantly steal the show. The drunken dinner scene in the Second Act between Julie Jesneck and Melissa Miller is the hilarious highpoint of the evening."
NJ Footlights, Rick Busciglio
Wall Street Journal, Terry Teachout
"...it is a singular treat to see this tale of two naughty wives...The cast of six...are in excellent form....
The New York Times, Anita Gates
"Actresses Julie Jesneck, in her stunning Company debut, and a magnificent Melissa Miller play the sympathetically neurotic wives with impeccable comedic timing."
Examiner, Richard Carter
"The director...has created a flawless production. The cast is spot-on...pure Coward perfection...the women brilliantly steal the show. The drunken dinner scene in the Second Act between Julie Jesneck and Melissa Miller is the hilarious highpoint of the evening."
NJ Footlights, Rick Busciglio
"...director Matthew Arbour...has been blessed with the gifted talents of Julie Jesneck as Julia and Melissa Miller as her best friend Jane."
Theater News Online, Robert L. Daniels
"Julia and Jane are the center of attention, and both Ms. Jesneck and Ms. Miller are superb in the roles... This welcome revival of a Coward classic is fascinating, flowing, and deliriously funny. The first-rate direction and the excellent ensemble create an evening of sheer delight..."The Princeton Packet, Bob Brown
"Julie Jesneck, as Julia, and Melissa Miller, as Jane, are a sensational daring duo as the stars of Fallen Angels. Their humor is right on target and they deliver their lines with an impeccable sense of timing..."
History News Network, Bruce Chadwick
But Matthew Arbour has a light touch in directing and a good eye for casting. Julie Jesneck and Melissa Miller, who play Julia and Jane respectively, are enormously appealing and just plain adorable."
Asbury Park Press, C.W. Walker
"The Shakespeare Theatre of New Jersey is putting on an uproarious production of this frothy, witty play...Both actresses, Julie Jesneck as Julia Sterroll and Melissa Miller as Jane Banbury play their parts to the hilt."
The Alternative Press, Liz Keill
Theater News Online, Robert L. Daniels
"Julia and Jane are the center of attention, and both Ms. Jesneck and Ms. Miller are superb in the roles... This welcome revival of a Coward classic is fascinating, flowing, and deliriously funny. The first-rate direction and the excellent ensemble create an evening of sheer delight..."The Princeton Packet, Bob Brown
"Julie Jesneck, as Julia, and Melissa Miller, as Jane, are a sensational daring duo as the stars of Fallen Angels. Their humor is right on target and they deliver their lines with an impeccable sense of timing..."
History News Network, Bruce Chadwick
But Matthew Arbour has a light touch in directing and a good eye for casting. Julie Jesneck and Melissa Miller, who play Julia and Jane respectively, are enormously appealing and just plain adorable."
Asbury Park Press, C.W. Walker
"The Shakespeare Theatre of New Jersey is putting on an uproarious production of this frothy, witty play...Both actresses, Julie Jesneck as Julia Sterroll and Melissa Miller as Jane Banbury play their parts to the hilt."
The Alternative Press, Liz Keill
Born Yesterday
Pittsburgh Public Theater
dir. Ted Pappas
also starring Ted Koch and Michael McKenzie
"Melissa Miller's Billie is easily the highlight of the show... There could be a temptation to push Billie toward caricature, but Miller shows restraint at the right moments while allowing the quirks and humor of Billie to resonate. Her well-polished comic timing and energy propels the second and third acts."
-Chris Bondi, TheTimes Online
" ... Melissa Miller's Billie Dawn is masterly."
-Alice T. Carter, Tribune Review
"The key comic role in the show is Billie Dawn, and Melissa Miller delivers. In the early scenes, she gets this wonderful "lights are on but nobody's home" expression in her eyes that beautifully signals how disconnected her character is from the life of the mind.... Miller conveys an effective combination of worldliness and innocence in the role."
-Wendy Arons, Pittsburgh Tatler
"PPT's "Born Yesterday" is fantastic, entertaining to the end- endless relatable, thanks to the talented Melissa Miller..."
- theburghexposed
Check out the video by clicking here
-Chris Bondi, TheTimes Online
" ... Melissa Miller's Billie Dawn is masterly."
-Alice T. Carter, Tribune Review
"The key comic role in the show is Billie Dawn, and Melissa Miller delivers. In the early scenes, she gets this wonderful "lights are on but nobody's home" expression in her eyes that beautifully signals how disconnected her character is from the life of the mind.... Miller conveys an effective combination of worldliness and innocence in the role."
-Wendy Arons, Pittsburgh Tatler
"PPT's "Born Yesterday" is fantastic, entertaining to the end- endless relatable, thanks to the talented Melissa Miller..."
- theburghexposed
Check out the video by clicking here
My Name Is Asher Lev
Long Wharf Theatre
dir. Gordon Edelstein
adapted by Aaron Posner
with Ari Brand and Mark Nelson
"If you are unfamiliar with the actors in the excellent new Long Wharf production of “My Name Is Asher Lev,” just imagine Kevin Kline and Mary Beth Hurt as the parents and a very young Richard Thomas as their son. The cast sometimes evokes those colleagues of theirs."
-Anita Gates, The New York Times
"Gordon Edelstein has directed his three-person cast with humor and a sense of incurable remorse....Melissa Miller does a lovely, deeply felt job as Riv, Asher’s mother, who is torn between supporting her son in his joy and being loyal to her husband, who is often traveling, opening yeshivas all around the world."
-Anita Gates, The New York Times
"My Name Is Asher Lev" Video/Trailer:
http://www.youtube.com/watch?v=CFY_VCpF5r0
MY NAME IS ASHER LEV continued
“Melissa Miller and Mark Nelson are outstanding in multiple roles. Miller
beautifully underplays Asher's fragile mother (and is transformational as a savvy gallery owner and a model).”
-Frank Rizzo, Hartford Courant
“Nelson and Miller play multiple people in Asher’s life and make seamless transitions between distinctly crafted characters under Gordon Edelstein’s skillful direction.”
-Lauren Yarger, Connecticut Arts Connection
The Merchant of Venice
starring F. Murray Abraham
Theatre for a New Audience
dir. by Darko Tresnjak
"Most impressive, however, are the fully realized performances in literally
all of the play’s roles. Mr. Tresnjak and his superb cast allow us to see with
unusual clarity the light and the dark in Shakespeare’s characters..."
"Melissa Miller and Mr. Nappo are unusually vivid as
Shylock’s daughter, Jessica, and her beloved Lorenzo,
their uneasy relations clearly haunted by the shadow of the prevalent
prejudice against Jews and by her guilt at having abandoned her father."
Charles Isherwood, The New York Times
"Melissa Miller eschews the defiance we normally see in Shylock’s daughter Jessica;
instead, we see her conflicted about her choice to steal her father’s money and run off with a
Christian, Lorenzo (Vince Nappo). This makes sense because Shylock (Mr. Abraham) shows
far more tenderness to her than is customary, as with a pat on the cheek."
Tony Frankel, Stage and Cinema
click here to read full review
"Even in small roles, the acting is fine; Melissa Miller, as Shylock’s daughter, Jessica,
for example, manages to seem riven in two over abandoning her father and faith to run away with a lover".
Time Out Chicago, Zac Thompson
Civilization (all you can eat)
by Jason Grote
dir. by Seth Bockley
Clubbed Thumb
"Perhaps the most ill-fitting character—Big Hog aside--remains one the strongest throughout: Karen (Melissa Miller), a struggling actress and an old friend of Zoe's with very zen and completely earnest ideas about the world's dire lack of love. Miller's a live wire in scenes with Biehl and Munar, at once aloof and intense, hilarious but with potentially dangerous or selfish intentions (despite Karen's professed desire to share her bounty of love with the world)."
Benjamin Sutton, The L Magazine
click here to read full review
Heart of the City
by Eric Lane, dir. by Martha Banta
Urban Stages
"What makes it pop, when it does, are the performances. ... And Melissa Miller, the production’s secret weapon, deftly switches gears and covers her tracks in
comparatively minor roles, alternating as a cheeky British saleswoman,
an impertinent 14-year-old and an Old World Jewish immigrant."
Andy Webster, The NY Times
click here to read full review